Search results for "Mass culture"
showing 10 items of 12 documents
La heterodoxia en la poesía visual española del siglo XXI
2014
Resumen: Toda vanguardia esconde un malestar y una rebeldia contra la realidad que aflige al individuo y que se vuelve objeto de critica en las obras. En este sentido, tras aclarar a que nos referimos cuando hablamos de poesia visual, analizaremos algunas obras que han aparecido por primera vez en 2014, interpretandolas como reaccion contra la perdida de valores de la sociedad postmoderna. La finalidad sera demostrar que la poesia visual espanola del siglo XXI no ha renunciado a su heterodoxia, puesto que elige justamente este universo donde todo es rapido, fluido, superficial, complejo e inasible para seguir denunciando desde su interior la incomunicacion y la alienacion a la que nos han l…
Don Quijote en el manga: Traducción, transformación y adaptación en la cultura de masas
2017
During the 19th Century and with the first translations of Don Quixote to japanese, Cervantes’ work started to be part of the country’s mass culture. As a manifestation of this phenomenon, the manga absorbed the image of the knight-errant. This comic genre adapted it to its aesthetic criteria and merged it with its history and folklore. At the same time, the manga has been exported to Western world, where readers and artists are familiarized with its characteristical style. Hence, Don Quixote works together with the manga as a bidireccional bridge between Japan and Spain. Far from the novel, the universality of this classic will find its way into the drawing and will take as base the popula…
Assembling Reminders for a Particular Purpose: Paolozzi’s Ephemera, Toys and Collectibles
2019
This chapter addresses the centrality of environmental installations in Paolozzi’s late production and the relevance that the practice of “assembling reminders for a particular purpose” holds in his understanding of the artist’s profession, further constituting another aspect of affinity with Wittgenstein. In order to do so, Mantoan examines three aspects that are instrumental to understand Paolozzi’s ‘collecting mood’ that led him to assemble a rich variety of items, ephemera, toys and objects of popular culture: the first one concerns the likely origins of this attitude, grounded in his childhood years, as well as in the influence of Parisian Surrealism and American mass culture; the seco…
Nel silenzio di Manet
2017
The absence of instruments and players in the famous “Musique aux Tuileries” (1862) of Édouard Manet, where he represents himself and his own entourage, remains an unsolved problem. On the one hand, the article offers a possible solution of this oddness considering the lack of interest on music in the context of the repertoire. On the other hand, from an aesthetic point of view, the exclusion of musicians from the scene could be explained through the fall of the “aura”. Whatever it may be, the rejection of music marks a separation between the primitive concept of mass music, i.e., the classical repertoire played at the garden of Tuileries, and the future avant-garde.
Relationships between mixis in Brachionus plicatilis and preconditioning of culture medium by crowding
1993
Several experiments with Brachionus plicatilis have been conducted to test the existence of chemical-mediated induction of mixis. In a first experimental set, bioassays were used to test relationships between preconditioning of culture medium to high population density and the occurrence of mixis in mass cultures with these media. The results show that a preconditioned medium has inducing properties that are comparable to the crowding effect.
Nikolai Shpanov and the Evolution of the Soviet Spy Thriller
2017
It is a common opinion that Stalinist literature knew no explicitly popular genres, and that, consequently, its whole body can be regarded as popular culture. The case of Nikolai Shpanov is one of the most evident arguments against such an interpretation. From the late Thirties to the early Fifties, Shpanov's works, centered around the fight with fiendish spies, had huge print runs and conspicuous success among the readers; yet, Soviet critics nearly ignored them. The publishing channels were not those of the officially endorsed "classics" of Socialist Realism, but rather what can be regarded as a Soviet equivalent of a separated mass publishing. Shpanov's books are, thus, the living proof …
Fascismo Olímpico. Sobre la relación entre espectáculo deportivo y propaganda de masas
2020
Frente a la reducción del fascismo a una época y en muchas ocasiones a un país (Alemania), se plantea si sus dispositivos culturales y estrategias comunicativas siguen vigentes, ya no como parte de un fascismo clásico, sino de equivalentes funcionales que conservan rasgos pragmáticos y condiciones sociales. Para ello, se analiza la construcción del imaginario fascista en el documental Olympia (1938) de Leni Riefenstahl, film referente del relato deportivo además de la propaganda nazi. Se plantea un análisis crítico en torno a los conceptos de líder y público. Se busca así establecer proyecciones a otras películas oficiales de Juegos Olímpicos modernos con la intención de cuestionar si exist…
The Industrial City: The Multi-Ethnic Frontier of the Twentieth Century
2004
Between 1890 and 1920, big American industrial cities represented the frontier for the more than 23 million immigrants from southern and eastern Europe, Asia, and Central America, as well as for the African-Americans from the South. The development of mass consumption industries and the interventionism of the federal government provided security at the workplace and a general improvement in living standards for blue collar workers. The local party machines, the industrial unions and the effects of the First World War fully integrated the new immigrants into politics. Mass culture and entertainment made Americanization easier and, together with organised crime, were a quick way of social asc…
Un teatro para la nueva población urbana: los resortes de la cultura masiva en "La viuda valenciana" de Lope de Vega
2012
The article analyzes The valencian widow (Lope de Vega) in the context of changing conceptions of spectacle at the end of XVIth century and the beginning of XVIIth. The author focus on the relationship between main features of new urban population and the emergency of mass culture dynamics. Theatre played a key role in that emergent mass culture, giving sense and including in coherent plots some preoccupations and fears of that urban population, such as social mobility, ambiguity of gender roles or subjective disorientation. El artículo analiza el texto de La viuda valenciana, de Lope de Vega, en el contexto de la redefinición de la función del espectáculo a finales del siglo XVI y principi…
Spanish People on the Silver Screen: Nation and Region in the Cinema of the Second Republic
2013
The article reflects on the presence and scope of the discourses of Spanish nationalism in the mass culture through the study of Spanish cinema produced during the years of the Second Republic. From a theoretical perspective based on the latest theoretical developments on nationalism, and particularly those concerning the role of culture, the article seeks to place the cinema in the heart of the study of Spanish nation-building process in the first decades of the twentieth century. The analytical axis will be the examination of the filmic construction of the regional imaginaries as a representation of Spain. After some general considerations concerning the presence of regional and national …